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Kellerman Opening for Johnny Clegg - Australian Tour |
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News
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Monday, 20 April 2009 |
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Kellerman is excited to annouce that he will be the opening act for South African music legend Johnny Clegg during his upcoming tour of Australia.
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Krit - Kaleidoskoopvanfluitklanke |
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Reviews
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Friday, 10 April 2009 |
 Kleurig, fleurig, ’n ervaringsontploffing! Al die reënboogkleure word in bollings verhoogrook ’n beurt gegee met die musiek ’n voortsetting daarvan. Voorheen het ek al kleur gepróé in die donkerpers van bosbessies, die pienk van ’n waatlemoen, die skreeuoranje van ’n ryp lemoen. Maar nog nooit het ek geweet ’n mens kan kleur hóór nie. Die towerklanke van Wouter Kellerman se verskeidenheid dwarsfluit voer jou mee. Beligtingswerk verf die
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Our DVD ‘Colour – Live in Concert’ is ready for release |
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News
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Wednesday, 01 April 2009 |
Our DVD ‘Colour – Live in Concert’ is ready for release and will be launched at Sunday’s 'Classic FM Soiree'.
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'Colour' scheduled for release in Australia |
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News
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Thursday, 26 March 2009 |
The CD will be released in Australia in May 2009.
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'Colour' released in Europe |
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News
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Wednesday, 18 March 2009 |
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The CD was released in Germany, Austria and Switzerland in September. The music video ‘Vuelvo Al Sur’ is being played frequently on Deluxe TV in Germany and the CD is being sold through their channel shop.
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Cue - 'Magical Flautist Creates Sonic Tapestry' |
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Reviews
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Monday, 11 August 2008 |
Steeped in classical tradition, the flute is not usually associated with innovation. This technical and idiosyncratic instrument seemingly doesn’t lend itself to wild musical explorations.
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Mail & Guardian - 'A personal work of colour' |
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Press
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Friday, 01 February 2008 |
 Some might think that for a talented musician, recording and releasing your first album is a straightforward process. Sign a record deal, get a fat advance, spend some time in a studio with a big-name producer, do some promo and then sit back and watch your debut opus climb the charts, right?
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Classical Feel - 'The Colourful World of Wouter Kellerman' |
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Press
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Tuesday, 01 January 2008 |
 Wouter Kellerman exudes the serene air of a yoga master. His smile is open and inviting, and he comes across as infinitely amicable and approachable. But this quiet exterior belies a tremendous energy and tenacity that lies just beneath the surface.
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Beeld - 'Kellerman se kleurryke debuut' |
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Press
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Wednesday, 12 December 2007 |
 Wouter Kellerman is 'n begaafde fluitspeler, maar is daarby 'n musikant wat hom komposisioneel en improvisatories oop laat vir heelparty invloede, selfs van ver buite die landsgrense. Hy is 'n wereldreisiger gewis, en in die opsig word sy eerste album geklassifiseer in die vreemde kategorie genoem "Wêreldmusiek".
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The Citizen - 'A perfect piece' |
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Press
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Tuesday, 20 November 2007 |
 I sit, astounded, as Wouter Kellerman describes the uncompromising attention to detail and demand for the perfect sound that went into his new album Colour.
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The Citizen - 'Colourful Collection' |
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Reviews
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Tuesday, 30 October 2007 |
9/10
From Latin America to Ireland and Africa. Kellerman's diverse styles and arrangements make this primarily instrumental, world music album a listening pleasure.
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HarmoniousLiving.co.za - 'Colour' |
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Reviews
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Wednesday, 24 October 2007 |
Rating: 5/5
 South Africa's premier flautist Kellerman (aka Wouter Kellerman) brings us his long awaited debut album, 'Colour'. From the very first note this is one of those CDs that you just know will be glued to your CD player for months to come. Relaxing, fun, soulful and joyful throughout 'Colour' is destined to be a timeless classic.
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Reviews
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Sunday, 30 September 2007 |
 When is the flute not a sissy instrument? When in the hands of Wouter Kellerman, who can give you classical sounds one moment and howling and chirping the next. His own compositions are by turns avant-garde, Spanish, tribal. - Chris Needham |
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The Citizen - 'Musical melange' |
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Reviews
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Saturday, 11 August 2007 |
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Kellerman’s Colours - The amazing thing about the flute is that it’s simply a pipe with holes in it, yet the sound it produces in the right hands can be truly captivating, writes David Jenkin
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