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wouterkellerman.com

Reviews
Krit - Kaleidoskoopvanfluitklanke
Reviews
Friday, 10 April 2009
Krit - KaleidoskoopvanfluitklankeKleurig, fleurig, ’n ervaringsontploffing! Al die reënboogkleure word in bollings verhoogrook ’n beurt gegee met die musiek ’n voortsetting daarvan. Voorheen het ek al kleur gepróé in die donkerpers van bosbessies, die pienk van ’n waatlemoen, die skreeuoranje van ’n ryp lemoen. Maar nog nooit het ek geweet ’n mens kan kleur hóór nie. Die towerklanke van Wouter Kellerman se verskeidenheid dwarsfluit voer jou mee. Beligtingswerk verf die

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Cue - 'Magical Flautist Creates Sonic Tapestry'
Reviews
Monday, 11 August 2008
Steeped in classical tradition, the flute is not usually associated with innovation. This technical and idiosyncratic instrument seemingly doesn’t lend itself to wild musical explorations.
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The Citizen - 'Colourful Collection'
Reviews
Tuesday, 30 October 2007
9/10
The CitizenFrom Latin America to Ireland and Africa. Kellerman's diverse styles and arrangements make this primarily instrumental, world music album a listening pleasure.
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HarmoniousLiving.co.za - 'Colour'
Reviews
Wednesday, 24 October 2007
Rating: 5/5
Harmonious LivingSouth Africa's premier flautist Kellerman (aka Wouter Kellerman) brings us his long awaited debut album, 'Colour'. From the very first note this is one of those CDs that you just know will be glued to your CD player for months to come. Relaxing, fun, soulful and joyful throughout 'Colour' is destined to be a timeless classic.
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Sunday Times
Reviews
Sunday, 30 September 2007
Sunday TimesWhen is the flute not a sissy instrument? When in the hands of Wouter Kellerman, who can give you classical sounds one moment and howling and chirping the next. His own compositions are by turns avant-garde, Spanish, tribal. - Chris Needham
 
The Citizen - 'Musical melange'
Reviews
Saturday, 11 August 2007
thecitizenlogoKellerman’s Colours - The amazing thing about the flute is that it’s simply a pipe with holes in it, yet the sound it produces in the right hands can be truly captivating, writes David Jenkin
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